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Maëlle Reymond

She was trained as a choreography artist at Coline in Istres and strarted working as a performer with the compagny Adrien M & Claire B in 2013 for the création The Movement of Air . In 2017, she entered the circus compagny Le Jardin des délices directed by Luna Rousseau and Nathan Israël for the creation La Chose, as well as Guillaume Bertrand's compagny 13ème Quai for the creation Scoparium . In 2016, she founded the compagny Infime Entaille, and she was the recipient of Création en cours 2018 grand set by the Ateliers Médicis.

Her choreographic research relies on the tangible inside and outside bonds that the body establishes . The discovery of the Buto dancing in 2013 utterly altered her work as a performer and she has thus started to deepen her awareness of details and the relationship to movement as essential.

Jérémy Chartier


After studying History of Art, he got involved in live performing arts as a gaffer in 2008. Highly interested in music, he bought instruments from all over the world along the years, and trained for CAM and multi diffusion. He worked regularly as a musician, gaffer and stage manager for the company Adrien M & Claire B. In 2015, he composed and performed on stage the show The movement of air. He has also worked for varied compagny : Le théâtre du Réel, DDM, La parlote, Vox, Alphonse et Cie, Fearless Rabbits as well as the music group Rilojosa. In 2018, he founded the collective Bleu Corail with Marion Lucas. For the compagny Infime Entaille, he is, together with Christophe Sartori, fully in charge of lightings, videos, sound.

As a musician, he is sensitive to the experience of direct acoustic vibrations. He loves to play on the dichotomies that are proper to music, whether it is collective or individual, art or folk, luxuriant or minimal, spiritual or sensual, divine or common.

Christophe Sartori


Trained as a technician, he entered the Grand R Scene Nationale team in 2000, where he met the choreographer Yvann Alexandre, for whom he composed sound tracks for 18 years. He aslo worked with the Théâtre des Cerises, the compagny du 2ème, the choreographer Ezio Schiavulli, and since 2014, the compagny Ke Kosa, the collective Extra Muros, the photographer Delphine Perrin and the plastic artist Serge Crampon. In 2003, he met Adrien Mondot en 2003 at the time of Convergence 1.0 and took part of the writing of sound track while ensuring stage management. He then worked for the compagny Adrien M & Claire B. For the compagny Infime Entaille, he is, together with Jérémy Chartier, fully in charge of lightings, videos, sound.

Starting from electronic samples, sometimes mixed with live electroacoustic compositions, he imagines sound backgrounds, and creates musical landscapes that add up to the visual experience of the show.

under construction

SIRET : 820 994 705 00011
APE : 9001Z
N° de Licences : PLATESV-R-2022-008812

L'insaisissable - The elusive (2018 - 2020)

  




What is elusive is, by definition, what cannot be seizd.
It is also the possibility, when there is no seizing, to open arms even wider.

  •  In life, there are all sorts of things that can be easily apprehended, understood. Then, there is all the rest... That cannot be grasped, the elusive. That is greater than our comprehension, than our ability to understand and outline. Thrust is elusive. So is the deep meaning of things. This is what this piece is about. It can be watched from all sides, and presents a constantly changing being. As the clay that the scuptor molds, the body is shaped and reshaped while spinning, showing briefly the multiple aspects of what it could become. Both multiple and singular.

    "As a sparkle of desire that passes with silence."
    (Jean-Pierre Colombi)

    The elusive draws its essence from the unspeakeable depth of fesh and from the abandon to fantasy : from what can be brievly perceived, when the scuptor, patient and tenacious, removes matter day after day to rich the depths of things and present the word, with the very spirit of what he means to say.


  • Design, interpretation 
    Maëlle Reymond
    Light, Video, Sound creation
    Jérémy Chartier and Christophe Sartori
    Music Live
    Jérémy Chartier and Christophe Sartori
     Scenography
    Maëlle Reymond, Jérémy Chartier, Christophe Sartori
    Photography
    On stage  © 2018 Laurence Windels
    Nature © 2018 Gérard Vallet
    Captation, Teaser
    © 2018 Jérémy Aubert
    Duration     25 min
  • Technical requirements
    All audiences. Visible at 360°.
    Small gauge and proximity to the audience
    Between 150 and 200 people.
    Where ground visibility is required.
    Stage minimum dimensions
    A circle of 5 m of diameter,
    The audience is seating all around.
    Minimum height 3 m.
    Team 3 people on tour. 
Winner of the aid for young artists Création en cours 2018 worn by les Ateliers Médicis with the support of the french Ministry of Culture and the french Ministry of Education.
Creation co-produced by the town of Crolles - Espace Paul Jargot (38) FR, La Rampe - La Ponatière Scène conventionnée d'intérêt national Art et Création - Danse et Musiques à Échirolles (38) FR.
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